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the exploits of this extraordinary fellow; with many other 

extraordinary things; amongst which; as I have hinted before; are 

particular passages of my own life; one or two of which I shall 

perhaps relate to the reader。



I never associate Vulcan and his Cyclops with the idea of a forge。  

These gentry would be the very last people in the world to flit 

across my mind whilst gazing at the forge from the bottom of the 

dark lane。  The truth is; they are highly unpoetical fellows; as 

well they may be; connected as they are with the Grecian mythology。  

At the very mention of their names the forge burns dull and dim; as 

if snowballs had been suddenly flung into it; the only remedy is to 

ply the bellows; an operation which I now hasten to perform。



I am in the dingle making a horse…shoe。  Having no other horses on 

whose hoofs I could exercise my art; I made my first essay on those 

of my own horse; if that could be called horse which horse was 

none; being only a pony。  Perhaps; if I had sought all England; I 

should scarcely have found an animal more in need of the kind 

offices of the smith。  On three of his feet there were no shoes at 

all; and on the fourth only a remnant of one; on which account his 

hoofs were sadly broken and lacerated by his late journeys over the 

hard and flinty roads。  'You belonged to a tinker before;' said I; 

addressing the animal; 'but now you belong to a smith。  It is said 

that the household of the shoemaker invariably go worse shod than 

that of any other craft。  That may be the case of those who make 

shoes of leather; but it shan't be said of the household of him who 

makes shoes of iron; at any rate it shan't be said of mine。  I tell 

you what; my gry; whilst you continue with me; you shall both be 

better shod and better fed than you were with your last master。'



I am in the dingle making a petul; and I must here observe that 

whilst I am making a horse…shoe the reader need not be surprised if 

I speak occasionally in the language of the lord of the horse…shoe 

… Mr。 Petulengro。  I have for some time past been plying the 

peshota; or bellows; endeavouring to raise up the yag; or fire; in 

my primitive forge。  The angar; or coals; are now burning fiercely; 

casting forth sparks and long vagescoe chipes; or tongues of flame; 

a small bar of sastra; or iron; is lying in the fire; to the length 

of ten or twelve inches; and so far it is hot; very hot; exceeding 

hot; brother。  And now you see me prala; snatch the bar of iron; 

and place the heated end of it upon the covantza; or anvil; and 

forthwith I commence cooring the sastra as hard as if I had been 

just engaged by a master at the rate of dui caulor; or two 

shillings; a day; brother; and when I have beaten the iron till it 

is nearly cool; and my arm tired; I place it again in the angar; 

and begin again to rouse the fire with the pudamengro; which 

signifies the blowing thing; and is another and more common word 

for bellows; and whilst thus employed I sing a gypsy song; the 

sound of which is wonderfully in unison with the hoarse moaning of 

the pudamengro; and ere the song is finished; the iron is again hot 

and malleable。  Behold; I place it once more on the covantza; and 

recommence hammering; and now I am somewhat at fault; I am in want 

of assistance; I want you; brother; or some one else; to take the 

bar out of my hand and support it upon the covantza; whilst I; 

applying a chinomescro; or kind of chisel; to the heated iron; cut 

off with a lusty stroke or two of the shukaro baro; or big hammer; 

as much as is required for the petul。  But having no one to help 

me; I go on hammering till I have fairly knocked off as much as I 

want; and then I place the piece in the fire; and again apply the 

bellows; and take up the song where I left it off; and when I have 

finished the song; I take out the iron; but this time with my 

plaistra; or pincers; and then I recommence hammering; turning the 

iron round and round with my pincers:  and now I bend the iron and; 

lo and behold! it has assumed something of the outline of a petul。



I am not going to enter into farther details with respect to the 

process … it was rather a wearisome one。  I had to contend with 

various disadvantages; my forge was a rude one; my tools might have 

been better; I was in want of one or two highly necessary 

implements; but; above all; manual dexterity。  Though free of the 

forge; I had not practised the albeytarian art for very many years; 

never since … but stay; it is not my intention to tell the reader; 

at least in this place; how and when I became a blacksmith。  There 

was one thing; however; which stood me in good stead in my labour; 

the same thing which through life has ever been of incalculable 

utility to me; and has not unfrequently supplied the place of 

friends; money; and many other things of almost equal importance … 

iron perseverance; without which all the advantages of time and 

circumstance are of very little avail in any undertaking。  I was 

determined to make a horse…shoe; and a good one; in spite of every 

obstacle … ay; in spite of dukkerin。  At the end of four days; 

during which I had fashioned and refashioned the thing at least 

fifty times; I had made a petul such as no master of the craft need 

have been ashamed of; with the second shoe I had less difficulty; 

and; by the time I had made the fourth; I would have scorned to 

take off my hat to the best smith in Cheshire。



But I had not yet shod my little gry:  this I proceeded now to do。  

After having first well pared the hoofs with my churi; I applied 

each petul hot; glowing hot; to the pindro。  Oh; how the hoofs 

hissed! and; oh; the pleasant pungent odour which diffused itself 

through the dingle! … an odour good for an ailing spirit。



I shod the little horse bravely … merely pricked him once; 

slightly; with a cafi; for doing which; I remember; he kicked me 

down; I was not disconcerted; however; but; getting up; promised to 

be more cautious in future; and having finished the operation; I 

filed the hoof well with the rin baro; then dismissed him to graze 

amongst the trees; and; putting my smaller tools into the muchtar; 

I sat down on my stone; and; supporting my arm upon my knee; leaned 

my head upon my hand。  Heaviness had come over me。







CHAPTER LXXXIV







Several causes … Frogs and eftes … Gloom and twilight … What should 

I do? … 'Our Father' … Fellow…men … What a mercy! … Almost calm … 

Fresh store … History of Saul … Pitch dark。



HEAVINESS had suddenly come over me; heaviness of heart; and of 

body also。  I had accomplished the task which I had imposed upon 

myself; and now that nothing more remained to do; my energies 

suddenly deserted me; and I felt without strength; and without 

hope。  Several causes; perhaps; co…operated to bring about the 

state in which I then felt myself。  It is not improbable that my 

energies had been overstrained during the work the progress of 

which I have attempted to describe; and every one is aware that the 

results of overstrained energies are feebleness and lassitude … 

want of nourishment might likewise have something to do with it。  

During my sojourn in the dingle; my food had been of the simplest 

and most unsatisfying description; by no means calculated to 

support the exertion which the labour I had been engaged upon 

required; it had consisted of coarse oaten cakes and hard cheese; 

and for beverage I had been indebted to a neighbouring pit; in 

which; in the heat of the day; I frequently saw; not golden or 

silver fish; but frogs and eftes swimming about。  I am; however; 

inclined to believe that Mrs。 Herne's cake had quite as much to do 

with the matter as insufficient nourishment。  I had never entirely 

recovered from the effects of its poison; but had occasionally; 

especially at night; been visited by a grinding pain in the 

stomach; and my whole body had been suffused with cold sweat; and 

indeed these memorials of the drow have never entirely disappeared 

… even at the present time they display themselves in my system; 

especially after much fatigue of body and excitement of mind。  So 

there I sat in the dingle upon my stone; nerveless and hopeless; by 

whatever cause or causes that state had been produced … there I sat 

with my head leaning upon my hand; and so I continued a long; long 

time。  At last I lifted my head from my hand; and began to cast 

anxious; unquiet looks about the dingle … the entire hollow was now 

enveloped in deep shade … I cast my eyes up; there was a golden 

gleam on the tops of the trees which grew towards the upper parts 

of the dingle; but lower down all was gloom and twilight … yet; 

when I first sat down on my stone; the sun was right above the 

dingle; illuminating all its depths by the rays which it cast 

perpendicularly down … so I must have sat a long; long time upon my 

stone。  And now; once more; I rested my head upon my hand; but 

almost instantly lifted it again in a kind of fear; and began 

looking at the objects before me … the forge; the tools; the 

branches of the trees; endeavouring to follow their rows; till they 

were lost in the darkness of the dingle; and now I found my right 

hand grasping convulsively the three fore…fingers of the left; 

first collectively; and then successively; wringing them till the 

joints cracked; then I became quiet; but not for long。



Suddenly I started up; and could scarcely repress the shriek which 

was rising to my lips。  Was it possible?  Yes; all too certain; the 

evil one was upon me; the inscrutable horror which I had felt in my 

boyhood had once more taken possession of me。  I had thought that 

it had forsaken me … that it would never visit me again; that I had 

outgrown it; that I might almost bid defiance to it; and I had even 

begun to think of it without horror; as

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