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value and interest。  Mr。 Swinburne's 〃Atalanta〃 of 1865; the quarto

in white cloth; is valued at twenty dollars。  Twenty years ago one

dollar would have purchased it。  Mr。 Austin Dobson's 〃Proverbs in

Porcelain〃 is also in demand among the curious。  Nay; even I may say

about the first edition of 〃Ballades in Blue China〃 (1880); as

Gibbon said of his 〃Essay on the Study of Literature:〃 〃The

primitive value of half a crown has risen to the fanciful price of a

guinea or thirty shillings;〃 or even more。  I wish I had a copy

myself; for old sake's sake。



Certain modern books; 〃on large paper;〃 are safe investments。  The

〃Badminton Library;〃 an English series of books on sport; is at a

huge premium already; when on 〃large paper。〃  But one should never

buy the book unless; as in the case of Dr。 John Hill Burton's 〃Book…

Hunter〃 (first edition); it is not only on large paper; and not only

rare (twenty…five copies); but also readable and interesting。 {7}  A

collector should have the taste to see when a new book is in itself

valuable and charming; and when its author is likely to succeed; so

that his early attempts (as in the case of Mr。 Matthew Arnold; Lord

Tennyson; and a few others of the moderns) are certain to become

things of curious interest。



You can hardly ever get a novel of Jane Austen's in the first

edition。  She is rarer than Fielding or Smollett。  Some day it may

be the same in Miss Broughton's case。  Cling to the fair and witty

Jane; if you get a chance。  Beware of illustrated modern books in

which 〃processes〃 are employed。  Amateurs will never really value

mechanical reproductions; which can be copied to any extent。  The

old French copper…plate engravings and the best English mezzo…tints

are so valuable because good impressions are necessarily so rare。



One more piece of advice。  Never (or 〃hardly ever〃) buy an imperfect

book。  It is a constant source of regret; an eyesore。  Here have I

Lovelace's 〃Lucasta;〃 1649; without the engraving。  It is

deplorable; but I never had a chance of another 〃Lucasta。〃  This is

not a case of invenies aliam。  However you fare; you will have the

pleasure of Hope and the consolation of books quietem inveniendam in

abditis recessibus et libellulis。







ROCHEFOUCAULD







To the Lady Violet Lebas。



Dear Lady Violet;I am not sure that I agree with you in your

admiration of Rochefoucauldof the Reflexions; ou Sentences et

Maximes Morales; I mean。  At least; I hardly agree when I have read

many of them at a stretch。  It is not fair to read them in that way;

of course; for there are more than five hundred pensees; and so much

esprit becomes fatiguing。  I doubt if people study them much。  Five

or six of them have become known even to writers in the newspapers;

and we all copy them from each other。



Rochefoucauld says that a man may be too dull to be duped by a very

clever person。  He himself was so clever that he was often duped;

first by the general honest dulness of mankind; and then by his own

acuteness。  He thought he saw more than he did see; and he said even

more than he thought he saw。  If the true motive of all our actions

is self…love; or vanity; no man is a better proof of the truth than

the great maxim…maker。  His self…love took the shape of a brilliancy

that is sometimes false。  He is tricked out in paste for diamonds;

now and then; like a vain; provincial beauty at a ball。  〃A clever

man would frequently be much at a loss;〃 he says; 〃in stupid

company。〃  One has seen this embarrassment of a wit in a company of

dullards。  It is Rochefoucauld's own position in this world of men

and women。  We are all; in the mass; dullards compared with his

cleverness; and so he fails to understand us; is much at a loss

among us。  〃People only praise others in hopes of being praised in

turn;〃 he says。  Mankind is not such a company of 〃log…rollers〃 as

he avers。



There is more truth in a line of Tennyson's about





〃The praise of those we love;

Dearer to true young hearts than their own praise。〃





I venture to think we need not be young to prefer to hear the praise

of others rather than our own。  It is not embarrassing in the first

place; as all praise of ourselves must be。  I doubt if any man or

woman can flatter so discreetly as not to make us uncomfortable。

Besides; if our own performances be lauded; we are uneasy as to

whether the honour is deserved。  An artist has usually his own

doubts about his own doings; or rather he has his own certainties。

About our friends' work we need have no such misgivings。  And our

self…love is more delicately caressed by the success of our friends

than by our own。  It is still self…love; but it is filtered; so to

speak; through our affection for another。



What are human motives; according to Rochefoucauld?  Temperament;

vanity; fear; indolence; self…love; and a grain of natural

perversity; which somehow delights in evil for itself。  He neglects

that other element; a grain of natural worth; which somehow delights

in good for itself。  This taste; I think; is quite as innate; and as

active in us; as that other taste for evil which causes there to be

something not wholly displeasing in the misfortunes of our friends。



There is a story which always appears to me a touching proof of this

grain of goodness; as involuntary; as fatal as its opposite。  I do

not remember in what book of travels I found this trait of native

excellence。  The black fellows of Australia are very fond of sugar;

and no wonder; if it be true that it has on them an intoxicating

effect。  Well; a certain black fellow had a small parcel of brown

sugar which was pilfered from his lair in the camp。  He detected the

thief; who was condemned to be punished according to tribal law;

that is to say; the injured man was allowed to have a whack at his

enemy's head with a waddy; a short club of heavy hard wood。  The

whack was duly given; and then the black who had suffered the loss

threw down his club; burst into tears; embraced the thief and

displayed every sign of a lively regret for his revenge。



That seems to me an example of the human touch that Rochefoucauld

never allows for; the natural goodness; pity; kindness; which can

assert itself in contempt of the love of self; and the love of

revenge。  This is that true clemency which is a real virtue; and not

〃the child of Vanity; Fear; Indolence; or of all three together。〃

Nor is it so true that 〃we have all fortitude enough to endure the

misfortunes of others。〃  Everybody has witnessed another's grief

that came as near him as his own。



How much more true; and how greatly poetical is that famous maxim:

〃Death and the Sun are two things not to be looked on with a steady

eye。〃  This version is from the earliest English translation of

1698。  The Maximes were first published in Paris in 1665。 {8}  〃Our

tardy apish nation〃 took thirty…three years in finding them out and

appropriating them。  This; too; is good:  〃If we were faultless; we

would observe with less pleasure the faults of others。〃  Indeed; to

observe these with pleasure is not the least of our faults。  Again;

〃We are never so happy; nor so wretched; as we suppose。〃  It is our

vanity; perhaps; that makes us think ourselves miserrimi。



Do you rememberno; you don'tthat meeting in 〃Candide〃 of the

unfortunate Cunegonde and the still more unfortunate old lady who

was the daughter of a Pope?  〃You lament your fate;〃 said the old

lady; 〃alas; you have known no such sorrows as mine!〃  〃What! my

good woman!〃 says Cunegonde。  〃Unless you have been maltreated by

two Bulgarians; received two stabs from a knife; had two of your

castles burned over your head; seen two fathers and two mothers

murdered before your eyes; and two of your lovers flogged at two

autos…da…fe; I don't fancy that you can have the advantage of me。

Besides; I was born a baroness of seventy…two quarterings; and I

have been a cook。〃  But the daughter of a Pope had; indeed; been

still more unlucky; as she proved; than Cunegonde; and the old lady

was not a little proud of it。



But can you call this true:  〃There is nobody but is ashamed of

having loved when once he loves no longer〃?  If it be true at all; I

don't think the love was much worth having or giving。  If one really

loves once; one can never be ashamed of it; for we never cease to

love。  However; this is the very high water of sentiment; you will

say; but I blush no more for it than M。 le Duc de Rochefoucauld for

his own opinion。  Perhaps I am thinking of that kind of love about

which he says:  〃True love is like ghosts; which everybody talks

about and few have seen。〃  〃Many be the thyrsus…bearers; few the

Mystics;〃 as the Greek proverb runs。  〃Many are called; few are

chosen。〃



As to friendship being 〃a reciprocity of interests;〃 the saying is

but one of those which Rochefoucauld's vanity imposed on his wit。

Very witty it is not; and it is emphatically untrue。  〃Old men

console themselves by giving good advice for being no longer able to

set bad examples。〃  Capital; but the poor old men are often good

examples of the results of not taking their own good advice。  〃Many

an ingrate is less to blame than his benefactor。〃  One might add; at

least I will; 〃Every man who looks for gratitude deserves to get

none of it。〃  〃To say that one never flirtsis flirting。〃  I rather

like the old translator's version of 〃Il y a de bons mariages; mais

il n'y en a point de delicieux〃〃Marriage is sometimes convenient;

but never delightful。〃



How true is this of authors with a brief popularity:  〃Il y a des

gens qui ressemblent aux vaudevilles; qu'on ne chante qu'un certain

temps。〃  Again; 〃to be in haste to repay a kindness is a sort of

ingratitude;〃 and a rather insulting sort too。  〃Almost everybody

likes to repay small favours; many people can be grateful for

favours not too weighty; but for favours truly grea

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