heroes and hero worship-第20部分
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Dante was the friend of this poor Francesca's father; Francesca herself may have sat upon the Poet's knee; as a bright innocent little child。 Infinite pity; yet also infinite rigor of law: it is so Nature is made; it is so Dante discerned that she was made。 What a paltry notion is that of his _Divine Comedy's_ being a poor splenetic impotent terrestrial libel; putting those into Hell whom he could not be avenged upon on earth! I suppose if ever pity; tender as a mother's; was in the heart of any man; it was in Dante's。 But a man who does not know rigor cannot pity either。 His very pity will be cowardly; egoistic;sentimentality; or little better。 I know not in the world an affection equal to that of Dante。 It is a tenderness; a trembling; longing; pitying love: like the wail of AEolian harps; soft; soft; like a child's young heart;and then that stern; sore…saddened heart! These longings of his towards his Beatrice; their meeting together in the _Paradiso_; his gazing in her pure transfigured eyes; her that had been purified by death so long; separated from him so far:one likens it to the song of angels; it is among the purest utterances of affection; perhaps the very purest; that ever came out of a human soul。
For the _intense_ Dante is intense in all things; he has got into the essence of all。 His intellectual insight as painter; on occasion too as reasoner; is but the result of all other sorts of intensity。 Morally great; above all; we must call him; it is the beginning of all。 His scorn; his grief are as transcendent as his love;as indeed; what are they but the _inverse_ or _converse_ of his love? 〃_A Dio spiacenti ed a' nemici sui_; Hateful to God and to the enemies of God: 〃lofty scorn; unappeasable silent reprobation and aversion; 〃_Non ragionam di lor_; We will not speak of _them_; look only and pass。〃 Or think of this; 〃They have not the _hope_ to die; _Non han speranza di morte_。〃 One day; it had risen sternly benign on the scathed heart of Dante; that he; wretched; never…resting; worn as he was; would full surely _die_; 〃that Destiny itself could not doom him not to die。〃 Such words are in this man。 For rigor; earnestness and depth; he is not to be paralleled in the modern world; to seek his parallel we must go into the Hebrew Bible; and live with the antique Prophets there。
I do not agree with much modern criticism; in greatly preferring the _Inferno_ to the two other parts of the Divine _Commedia_。 Such preference belongs; I imagine; to our general Byronism of taste; and is like to be a transient feeling。 Thc _Purgatorio_ and _Paradiso_; especially the former; one would almost say; is even more excellent than it。 It is a noble thing that _Purgatorio_; 〃Mountain of Purification;〃 an emblem of the noblest conception of that age。 If sin is so fatal; and Hell is and must be so rigorous; awful; yet in Repentance too is man purified; Repentance is the grand Christian act。 It is beautiful how Dante works it out。 The _tremolar dell' onde_; that 〃trembling〃 of the ocean…waves; under the first pure gleam of morning; dawning afar on the wandering Two; is as the type of an altered mood。 Hope has now dawned; never…dying Hope; if in company still with heavy sorrow。 The obscure sojourn of demons and reprobate is underfoot; a soft breathing of penitence mounts higher and higher; to the Throne of Mercy itself。 〃Pray for me;〃 the denizens of that Mount of Pain all say to him。 〃Tell my Giovanna to pray for me;〃 my daughter Giovanna; 〃I think her mother loves me no more!〃 They toil painfully up by that winding steep; 〃bent down like corbels of a building;〃 some of them;crushed together so 〃for the sin of pride;〃 yet nevertheless in years; in ages and aeons; they shall have reached the top; which is heaven's gate; and by Mercy shall have been admitted in。 The joy too of all; when one has prevailed; the whole Mountain shakes with joy; and a psalm of praise rises; when one soul has perfected repentance and got its sin and misery left behind! I call all this a noble embodiment of a true noble thought。
But indeed the Three compartments mutually support one another; are indispensable to one another。 The _Paradiso_; a kind of inarticulate music to me; is the redeeming side of the _Inferno_; the _Inferno_ without it were untrue。 All three make up the true Unseen World; as figured in the Christianity of the Middle Ages; a thing forever memorable; forever true in the essence of it; to all men。 It was perhaps delineated in no human soul with such depth of veracity as in this of Dante's; a man _sent_ to sing it; to keep it long memorable。 Very notable with what brief simplicity he passes out of the every…day reality; into the Invisible one; and in the second or third stanza; we find ourselves in the World of Spirits; and dwell there; as among things palpable; indubitable! To Dante they _were_ so; the real world; as it is called; and its facts; was but the threshold to an infinitely higher Fact of a World。 At bottom; the one was as _preternatural_ as the other。 Has not each man a soul? He will not only be a spirit; but is one。 To the earnest Dante it is all one visible Fact; he believes it; sees it; is the Poet of it in virtue of that。 Sincerity; I say again; is the saving merit; now as always。
Dante's Hell; Purgatory; Paradise; are a symbol withal; an emblematic representation of his Belief about this Universe:some Critic in a future age; like those Scandinavian ones the other day; who has ceased altogether to think as Dante did; may find this too all an 〃Allegory;〃 perhaps an idle Allegory! It is a sublime embodiment; or sublimest; of the soul of Christianity。 It expresses; as in huge world…wide architectural emblems; how the Christian Dante felt Good and Evil to be the two polar elements of this Creation; on which it all turns; that these two differ not by preferability of one to the other; but by incompatibility absolute and infinite; that the one is excellent and high as light and Heaven; the other hideous; black as Gehenna and the Pit of Hell! Everlasting Justice; yet with Penitence; with everlasting Pity;all Christianism; as Dante and the Middle Ages had it; is emblemed here。 Emblemed: and yet; as I urged the other day; with what entire truth of purpose; how unconscious of any embleming! Hell; Purgatory; Paradise: these things were not fashioned as emblems; was there; in our Modern European Mind; any thought at all of their being emblems! Were they not indubitable awful facts; the whole heart of man taking them for practically true; all Nature everywhere confirming them? So is it always in these things。 Men do not believe an Allegory。 The future Critic; whatever his new thought may be; who considers this of Dante to have been all got up as an Allegory; will commit one sore mistake!Paganism we recognized as a veracious expression of the earnest awe…struck feeling of man towards the Universe; veracious; true once; and still not without worth for us。 But mark here the difference of Paganism and Christianism; one great difference。 Paganism emblemed chiefly the Operations of Nature; the destinies; efforts; combinations; vicissitudes of things and men in this world; Christianism emblemed the Law of Human Duty; the Moral Law of Man。 One was for the sensuous nature: a rude helpless utterance of the first Thought of men;the chief recognized virtue; Courage; Superiority to Fear。 The other was not for the sensuous nature; but for the moral。 What a progress is here; if in that one respect only!
And so in this Dante; as we said; had ten silent centuries; in a very strange way; found a voice。 The _Divina Commedia_ is of Dante's writing; yet in truth it belongs to ten Christian centuries; only the finishing of it is Dante's。 So always。 The craftsman there; the smith with that metal of his; with these tools; with these cunning methods;how little of all he does is properly _his_ work! All past inventive men work there with him;as indeed with all of us; in all things。 Dante is the spokesman of the Middle Ages; the Thought they lived by stands here; in everlasting music。 These sublime ideas of his; terrible and beautiful; are the fruit of the Christian Meditation of all the good men who had gone before him。 Precious they; but also is not he precious? Much; had not he spoken; would have been dumb; not dead; yet living voiceless。
On the whole; is it not an utterance; this mystic Song; at once of one of the greatest human souls; and of the highest thing that Europe had hitherto realized for itself? Christianism; as Dante sings it; is another than Paganism in the rude Norse mind; another than 〃Bastard Christianism〃 half… articulately spoken in the Arab Desert; seven hundred years before!The noblest _idea_ made _real_ hitherto among men; is sung; and emblemed forth abidingly; by one of the noblest men。 In the one sense and in the other; are we not right glad to possess it? As I calculate; it may last yet for long thousands of years。 For the thing that is uttered from the inmost parts of a man's soul; differs altogether from what is uttered by the outer part。 The outer is of the day; under the empire of mode; the outer passes away; in swift endless changes; the inmost is the same yesterday; to…day and forever。 True souls; in all generations of the world; who look on this Dante; will find a brotherhood in him; the deep sincerity of his thoughts; his woes and hopes; will speak likewise to their sincerity; they will feel that this Dante too was a brother。 Napoleon in Saint Helena is charmed with the genial veracity of old Homer。 The oldest Hebrew Prophet; under a vesture the most diverse from ours; does yet; because he speaks from the heart of man; speak to all men's hearts。 It is the one sole secret of continuing long memorable。 Dante; for depth of sincerity; is like an antique Prophet too; his words; like theirs; come from his very heart。 One need not wonder if it were predicted that his Poem might be the most enduring thing our Europe has yet made; for nothing so endures as a truly spoken word。 All cathedrals; pontificalities; brass and stone; and outer arrangement never so lasting; are brief in comparison to an unfathomable heart…song like this: one feels as if it might survive; stil