reprinted pieces-第43部分
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has seen the Berlin Wool。 He appears to have a silent sorrow on
him; and it may be that。 He clears the table; draws the dingy
curtains of the great bow window; which so unwillingly consent to
meet; that they must be pinned together; leaves me by the fire with
my pint decanter; and a little thin funnel…shaped wine…glass; and a
plate of pale biscuits … in themselves engendering desperation。
No book; no newspaper! I left the Arabian Nights in the railway
carriage; and have nothing to read but Bradshaw; and 'that way
madness lies。' Remembering what prisoners and ship…wrecked
mariners have done to exercise their minds in solitude; I repeat
the multiplication table; the pence table; and the shilling table:
which are all the tables I happen to know。 What if I write
something? The Dodo keeps no pens but steel pens; and those I
always stick through the paper; and can turn to no other account。
What am I to do? Even if I could have the bandy…legged baby
knocked up and brought here; I could offer him nothing but sherry;
and that would be the death of him。 He would never hold up his
head again if he touched it。 I can't go to bed; because I have
conceived a mortal hatred for my bedroom; and I can't go away;
because there is no train for my place of destination until
morning。 To burn the biscuits will be but a fleeting joy; still it
is a temporary relief; and here they go on the fire! Shall I break
the plate? First let me look at the back; and see who made it。
COPELAND。
Copeland! Stop a moment。 Was it yesterday I visited Copeland's
works; and saw them making plates? In the confusion of travelling
about; it might be yesterday or it might be yesterday month; but I
think it was yesterday。 I appeal to the plate。 The plate says;
decidedly; yesterday。 I find the plate; as I look at it; growing
into a companion。
Don't you remember (says the plate) how you steamed away; yesterday
morning; in the bright sun and the east wind; along the valley of
the sparkling Trent? Don't you recollect how many kilns you flew
past; looking like the bowls of gigantic tobacco…pipes; cut short
off from the stem and turned upside down? And the fires … and the
smoke … and the roads made with bits of crockery; as if all the
plates and dishes in the civilised world had been Macadamised;
expressly for the laming of all the horses? Of course I do!
And don't you remember (says the plate) how you alighted at Stoke …
a picturesque heap of houses; kilns; smoke; wharfs; canals; and
river; lying (as was most appropriate) in a basin … and how; after
climbing up the sides of the basin to look at the prospect; you
trundled down again at a walking…match pace; and straight proceeded
to my father's; Copeland's; where the whole of my family; high and
low; rich and poor; are turned out upon the world from our nursery
and seminary; covering some fourteen acres of ground? And don't
you remember what we spring from:… heaps of lumps of clay;
partially prepared and cleaned in Devonshire and Dorsetshire;
whence said clay principally comes … and hills of flint; without
which we should want our ringing sound; and should never be
musical? And as to the flint; don't you recollect that it is first
burnt in kilns; and is then laid under the four iron feet of a
demon slave; subject to violent stamping fits; who; when they come
on; stamps away insanely with his four iron legs; and would crush
all the flint in the Isle of Thanet to powder; without leaving off?
And as to the clay; don't you recollect how it is put into mills or
teazers; and is sliced; and dug; and cut at; by endless knives;
clogged and sticky; but persistent … and is pressed out of that
machine through a square trough; whose form it takes … and is cut
off in square lumps and thrown into a vat; and there mixed with
water; and beaten to a pulp by paddle…wheels … and is then run into
a rough house; all rugged beams and ladders splashed with white; …
superintended by Grindoff the Miller in his working clothes; all
splashed with white; … where it passes through no end of machinery…
moved sieves all splashed with white; arranged in an ascending
scale of fineness (some so fine; that three hundred silk threads
cross each other in a single square inch of their surface); and all
in a violent state of ague with their teeth for ever chattering;
and their bodies for ever shivering! And as to the flint again;
isn't it mashed and mollified and troubled and soothed; exactly as
rags are in a paper…mill; until it is reduced to a pap so fine that
it contains no atom of 'grit' perceptible to the nicest taste? And
as to the flint and the clay together; are they not; after all
this; mixed in the proportion of five of clay to one of flint; and
isn't the compound … known as 'slip' … run into oblong troughs;
where its superfluous moisture may evaporate; and finally; isn't it
slapped and banged and beaten and patted and kneaded and wedged and
knocked about like butter; until it becomes a beautiful grey dough;
ready for the potter's use?
In regard of the potter; popularly so called (says the plate); you
don't mean to say you have forgotten that a workman called a
Thrower is the man under whose hand this grey dough takes the
shapes of the simpler household vessels as quickly as the eye can
follow? You don't mean to say you cannot call him up before you;
sitting; with his attendant woman; at his potter's wheel … a disc
about the size of a dinner…plate; revolving on two drums slowly or
quickly as he wills … who made you a complete breakfast…set for a
bachelor; as a good…humoured little off…hand joke? You remember
how he took up as much dough as he wanted; and; throwing it on his
wheel; in a moment fashioned it into a teacup … caught up more clay
and made a saucer … a larger dab and whirled it into a teapot …
winked at a smaller dab and converted it into the lid of the
teapot; accurately fitting by the measurement of his eye alone …
coaxed a middle…sized dab for two seconds; broke it; turned it over
at the rim; and made a milkpot … laughed; and turned out a slop…
basin … coughed; and provided for the sugar? Neither; I think; are
you oblivious of the newer mode of making various articles; but
especially basins; according to which improvement a mould revolves
instead of a disc? For you MUST remember (says the plate) how you
saw the mould of a little basin spinning round and round; and how
the workmen smoothed and pressed a handful of dough upon it; and
how with an instrument called a profile (a piece of wood;
representing the profile of a basin's foot) he cleverly scraped and
carved the ring which makes the base of any such basin; and then
took the basin off the lathe like a doughy skull…cap to be dried;
and afterwards (in what is called a green state) to be put into a
second lathe; there to be finished and burnished with a steel
burnisher? And as to moulding in general (says the plate); it
can't be necessary for me to remind you that all ornamental
articles; and indeed all articles not quite circular; are made in
moulds。 For you must remember how you saw the vegetable dishes;
for example; being made in moulds; and how the handles of teacups;
and the spouts of teapots; and the feet of tureens; and so forth;
are all made in little separate moulds; and are each stuck on to
the body corporate; of which it is destined to form a part; with a
stuff called 'slag;' as quickly as you can recollect it。 Further;
you learnt … you know you did … in the same visit; how the
beautiful sculptures in the delicate new material called Parian;
are all constructed in moulds; how; into that material; animal
bones are ground up; because the phosphate of lime contained in
bones makes it translucent; how everything is moulded; before going
into the fire; one…fourth larger than it is intended to come out of
the fire; because it shrinks in that proportion in the intense
heat; how; when a figure shrinks unequally; it is spoiled …
emerging from the furnace a misshapen birth; a big head and a
little body; or a little head and a big body; or a Quasimodo with
long arms and short legs; or a Miss Biffin with neither legs nor
arms worth mentioning。
And as to the Kilns; in which the firing takes place; and in which
some of the more precious articles are burnt repeatedly; in various
stages of their process towards completion; … as to the Kilns (says
the plate; warming with the recollection); if you don't remember
THEM with a horrible interest; what did you ever go to Copeland's
for? When you stood inside of one of those inverted bowls of a
Pre…Adamite tobacco…pipe; looking up at the blue sky through the
open top far off; as you might have looked up from a well; sunk
under the centre of the pavement of the Pantheon at Rome; had you
the least idea where you were? And when you found yourself
surrounded; in that dome…shaped cavern; by innumerable columns of
an unearthly order of architecture; supporting nothing; and
squeezed close together as if a Pre…Adamite Samson had taken a vast
Hall in his arms and crushed it into the smallest possible space;
had you the least idea what they were? No (says the plate); of
course not! And when you found that each of those pillars was a
pile of ingeniously made vessels of coarse clay … called Saggers …
looking; when separate; like raised…pies for the table of the
mighty Giant Blunderbore; and now all full of various articles of
pottery ranged in them in baking order; the bottom of each vessel
serving for the cover of the one below; and the whole Kiln rapidly
filling with these; tier upon tier; until the last workman should
have barely room to crawl out; before the closing of the jagged
aperture in the wall and the kindling of the gradual fire; did you
not stand amazed to think that all the year round these dread
chambers are heating; white hot … and cooling … and filling … and