phenomenology of mind-第121部分
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own objective idea of itself；…self…existence put forth in the form of an object。 This process of
production is； all the same； not yet perfect production； it is a conditioned activity； the forming of a
given material。
3。 THE ARTIFICER （9）
SPIRIT； then； here takes the form of the artificer； and its action； when producing itself as object；
but without having as yet grasped the thought of itself； is an instinctive kind of working； like bees
building their cells。
The first form； because immediate； has the abstract character of 〃understanding〃； and the work
accomplished is not yet in itself endued with spirit。 The crystals of Pyramids and Obelisks； simple
combinations of straight lines with even surfaces and equal relations of parts in which the
incommensurability of roundness is set aside — these are the works produced by this artificer； the
worker of the strict form。 Owing to the purely abstract intelligible nature of the form； the work is
not in itself its own true significance； it is not the spiritual self。 Thus； either the works produced only
receive spirit into them as an alien； departed spirit； one that has forsaken its living suffusion and
permeation with reality； and； being itself dead； enters into these lifeless crystals； or they take up an
external relation to spirit as something which is itself there externally and not as spirit — they are
related to it as to the Orient Light； which throws its significance on them。
The separation of elements from which spirit as artificer starts — the separation of the implicit
essential nature； which becomes the material it works upon； and independent self…existence； which
is the aspect of the self…consciousness at work…this division has become objective to spirit in its
work。 Its further endeavour has to be directed to cancelling and doing away with this separation of
soul and body； it must strive to clothe and give embodied shape to soul per se； and endow the
body with soul。 The two aspects； in that they are brought closer to one another； bear towards
each other； in this condition； the character of ideally presented spirit and of enveloping shell。
Spirit's oneness with itself contains this opposition of individuality and universality。 As the work
comes closer to itself in the coming together of its aspects； there comes about thereby at the same
time the other fact； that the work comes closer to the self…consciousness performing it； and that the
latter attains in the work knowledge of itself as it truly is。 In this way； however； the work merely
constitutes to begin with the abstract side of the activity of spirit； which does not yet know the
content of this activity within itself but in its work； which is a 〃thing〃。 The artificer as such； spirit in
its entirety； has not yet appeared； the artificer is still the inner； hidden reality； which qua entire is
present only as broken up into active self…consciousness and the object it has produced。
The surrounding habitation； then； external reality； which has so far been raised merely to the
abstract form of the understanding； is worked up by the artificer into a more animated form。 The
artificer employs plant life for this purpose； which is no longer sacred as in the previous case of
inactive impotent pantheism； rather the artificer； who grasps himself as the self existent reality；
takes that plant life as something to be used and degrades it to an external aspect； to the level of
an ornament。 But it is not turned to use without some alteration： for the worker producing the
self…conscious form destroys at the same time the transitoriness； inherently characteristic of the
immediate existence of this life； and brings its organic forms nearer to the more exact and more
universal forms of thought。 The organic form； which； left to itself； grows and thrives in particularity；
being on its side subjugated by the form of thought； elevates in turn these straight…lined and level
shapes into more animated roundness — a blending which becomes the root of free
architecture。（10）
This dwelling； （the aspect of the universal element or inorganic nature of spirit）； also includes within
it now a form of individuality； which brings nearer to actuality the spirit that was formerly separated
from existence and external or internal thereto； and thus makes the work to accord more with
active self…consciousness。 The worker lays hold； first of all； on the form of self…existence in
general； on the forms of animal life。 That he is no longer directly aware of himself in animal life； he
shows by the fact that in reference to this he constitutes himself the productive force； and knows
himself in it as being his own work； whereby the animal shape at the same time is one which is
superseded and becomes the hieroglyphic symbol of another meaning； the hieroglyph of a thought。
Hence also this shape is no longer solely and entirely used by the worker； but becomes blended
with the shape embodying thought； with the human form。（11） Still； the work lacks the form and
existence where self exists as self： it also fails to express in its very nature that it includes within
itself an inner meaning； it lacks language； the element in which the sense and meaning contained are
actually present。 The work done； therefore； even when quite purified of the animal aspect； and
bearing the form and shape of self…consciousness alone； is still the silent soundless shape； which
needs the rays of the rising sun in order to have a sound which； when produced by light； is even
then merely noise and not speech； shows merely an outer self； not the inner self。（12）
Contrasted with this outer self of the form and shape； stands the other form； which indicates that it
has in it an inner being。 Nature； turning back into its essential being； degrades its multiplicity of life；
ever individualizing itself and confounding itself in its own process； to the level of an unessential
encasing shell； which is the covering for the inner being。 And as yet this inner being is still simple
darkness； the unmoved； the black formless stone。（13）
Both representations contain inwardness and existence — the two moments of spirit： and both
kinds of manifestation contain both moments at once in a relation of opposition； the self both as
inward and as outward。 Both have to be united。 The soul of the statue in human form does not yet
come out of the inner being； is not yet speech； objective existence of self which is inherently
internal； — and the inner being of multiform existence is still without voice or sound； still draws no
distinctions within itself； and is still separated from its outer being； to which all distinctions belong。
The artificer； therefore； combines both by blending the forms of nature and self…consciousness；
and these ambiguous beings； a riddle to themselves — the conscious struggling with what has no
consciousness； the simple inner with the multiform outer； the darkness of thought mated with the
clearness of expression — these break out into the language of a wisdom that is darkly deep and
difficult to understand。（14）
With the production of this work； the instinctive method of working ceases； which； in contrast to
self…consciousness； produced a work devoid of consciousness。 For here the activity of the
artificer； which constitutes self…consciousness； comes face to face with an inner being equally
self…conscious and giving itself expression。 He has therein raised himself by his work up to the
point where his conscious life breaks asunder； where spirit greets spirit。 In this unity of
self…conscious spirit with itself； so far as it is aware of being embodiment and object of its own
consciousness； its blending and mingling with the unconscious state of immediate shapes of nature
become purified。 These monsters in form and shape； word and deed； are resolved and dissolved
into a shape which is spiritual…an outer which has entered into itself； an inner which expresses itself
out of itself and in itself；…they pass into thought； which brings forth itself； preserves the shape and
form suited to thought； and is transparent existence。 Spirit is Artist。
1。 Primarily Oriental religion。
2。 Parsee religion。
3。 Term applied in e。g。 Judaism and Mohammedanism。
4。 Cp。 Philos。 Of Relig。； W。W。； XI； 403；404； 411。
5。 Angels。
6。 Cp。 Ency。； § 389。
7。 Primarily religions of India。
8。 Sacred animals in Indian religion。
9。 Egyptian religions。
10。 The Egyptian columns and architecture。
11。 The representations of the gods with forms half animal； half human。
12。 The statues of Memnon which gave forth a moaning harp…like noise at sunrise。
13。 The Black Stone of Mecca： a fetish still worshipped by the faithful。
14。 Sphinxes。
B
Religion in the form of Art （1）
SPIRIT has raised the shape in which it is object for its own consciousness into the form of
consciousness itself； and spirit produces such a shape for itself。 The artificer has given up the
synthesizing activity； that blending of the heterogeneous forms of thought and nature。 When the
shape has gained the form of self…conscious activity； the artificer has become a spiritual workman。
If we next ask； what the actual spirit is； which finds in the religion of art the consciousness of its
Absolute； it turns out that this is the ethical or objective spirit。 This spirit is not merely the universal
substance of all individuals； but when this substance is said to have； as an objective fact for actual
consciousness； the form of consciousness； this amounts to saying that the substance； which is
individualized； is known by the individuals within it as their proper essence and their own
achievement。 It is for them neither the Light of the World； in whose； unity the self…existence of
self…consciousness is contained only negatively； only transitorily； and beholds the lord and master
of its reality； nor is it the restless waste and destruction of hostile nations； nor their subjection to
〃castes〃； which together constitute the semblance of organization of a completed whole； where；
however； the universal freedom of the individuals concerned is wanting。 Rather
