the marriage contract-第6部分
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knowledge of Lavater and Gall; but also a science in which there
exists no formula of doctrine;the individual and personal science of
an observer; which; for its perfection; requires an almost universal
knowledge。 Natalie's face; like that of most young girls; was
impenetrable。 The deep; serene peace given by sculptors to the virgin
faces of Justice and Innocence; divinities aloof from all earthly
agitations; is the greatest charm of a young girl; the sign of her
purity。 Nothing; as yet; has stirred her; no shattered passion; no
hope betrayed has clouded the placid expression of that pure face。 Is
that expression assumed? If so; there is no young girl behind it。
Natalie; closely held to the heart of her mother; had received; like
other Spanish women; an education that was solely religious; together
with a few instructions from her mother as to the part in life she was
called upon to play。 Consequently; the calm; untroubled expression of
her face was natural。 And yet it formed a casing in which the woman
was wrapped as the moth in its cocoon。 Nevertheless; any man clever at
handling the scalpel of analysis might have detected in Natalie
certain indications of the difficulties her character would present
when brought into contact with conjugal or social life。 Her beauty;
which was really marvellous; came from extreme regularity of feature
harmonizing with the proportions of the head and the body。 This
species of perfection augurs ill for the mind; and there are few
exceptions to the rule。 All superior nature is found to have certain
slight imperfections of form which become irresistible attractions;
luminous points from which shine vivid sentiments; and on which the
eye rests gladly。 Perfect harmony expresses usually the coldness of a
mixed organization。
Natalie's waist was round;a sign of strength; but also the
infallible indication of a will which becomes obstinacy in persons
whose mind is neither keen nor broad。 Her hands; like those of a Greek
statue; confirmed the predictions of face and figure by revealing an
inclination for illogical domination; of willing for will's sake only。
Her eyebrows met;a sign; according to some observers; which
indicates jealousy。 The jealousy of superior minds becomes emulation
and leads to great things; that of small minds turns to hatred。 The
〃hate and wait〃 of her mother was in her nature; without disguise。 Her
eyes were black apparently; though really brown with orange streaks;
contrasting with her hair; of the ruddy tint so prized by the Romans;
called auburn in England; a color which often appears in the offspring
of persons of jet black hair; like that of Monsieur and Madame
Evangelista。 The whiteness and delicacy of Natalie's complexion gave
to the contrast of color in her eyes and hair an inexpressible charm;
and yet it was a charm that was purely external; for whenever the
lines of a face are lacking in a certain soft roundness; whatever may
be the finish and grace of the details; the beauty therein expressed
is not of the soul。 These roses of deceptive youth will drop their
leaves; and you will be surprised in a few years to see hardness and
dryness where you once admired what seemed to be the beauty of noble
qualities。
Though the outlines of Natalie's face had something august about them;
her chin was slightly 〃empate;〃a painter's expression which will
serve to show the existence of sentiments the violence of which would
only become manifest in after life。 Her mouth; a trifle drawn in;
expressed a haughty pride in keeping with her hand; her chin; her
brows; and her beautiful figure。 Andas a last diagnostic to guide
the judgment of a connoisseurNatalie's pure voice; a most seductive
voice; had certain metallic tones。 Softly as that brassy ring was
managed; and in spite of the grace with which its sounds ran through
the compass of the voice; that organ revealed the character of the
Duke of Alba; from whom the Casa…Reales were collaterally descended。
These indications were those of violent passions without tenderness;
sudden devotions; irreconcilable dislikes; a mind without
intelligence; and the desire to rule natural to persons who feel
themselves inferior to their pretensions。
These defects; born of temperament and constitution; were buried in
Natalie like ore in a mine; and would only appear under the shocks and
harsh treatment to which all characters are subjected in this world。
Meantime the grace and freshness of her youth; the distinction of her
manners; her sacred ignorance; and the sweetness of a young girl; gave
a delicate glamour to her features which could not fail to mislead an
unthinking or superficial mind。 Her mother had early taught her the
trick of agreeable talk which appears to imply superiority; replying
to arguments by clever jests; and attracting by the graceful
volubility beneath which a woman hides the subsoil of her mind; as
Nature disguises her barren strata beneath a wealth of ephemeral
vegetation。 Natalie had the charm of children who have never known
what it is to suffer。 She charmed by her frankness; and had none of
that solemn air which mothers impose on their daughters by laying down
a programme of behavior and language until the time comes when they
marry and are emancipated。 She was gay and natural; like any young
girl who knows nothing of marriage; expects only pleasure from it;
replies to all objections with a jest; foresees no troubles; and
thinks she is acquiring the right to have her own way。
How could Paul; who loved as men love when desire increases love;
perceive in a girl of this nature whose beauty dazzled him; the woman;
such as she would probably be at thirty; when observers themselves
have been misled by these appearances? Besides; if happiness might
prove difficult to find in a marriage with such a girl; it was not
impossible。 Through these embryo defects shone several fine qualities。
There is no good quality which; if properly developed by the hand of
an able master; will not stifle defects; especially in a young girl
who loves him。 But to render ductile so intractable a woman; the iron
wrist; about which de Marsay had preached to Paul; was needful。 The
Parisian dandy was right。 Fear; inspired by love is an infallible
instrument by which to manage the minds of women。 Whoso loves; fears;
whoso fears is nearer to affection than to hatred。
Had Paul the coolness; firmness; and judgment required for this
struggle; which an able husband ought not to let the wife suspect? Did
Natalie love Paul? Like most young girls; Natalie mistook for love the
first emotions of instinct and the pleasure she felt in Paul's
external appearance; but she knew nothing of the things of marriage
nor the demands of a home。 To her; the Comte de Manerville; a rising
diplomatist; to whom the courts of Europe were known; and one of the
most elegant young men in Paris; could not seem; what perhaps he was;
an ordinary man; without moral force; timid; though brave in some
ways; energetic perhaps in adversity; but helpless against the
vexations and annoyances that hinder happiness。 Would she; in after
years; have sufficient tact and insight to distinguish Paul's noble
qualities in the midst of his minor defects? Would she not magnify the
latter and forget the former; after the manner of young wives who know
nothing of life? There comes a time when wives will pardon defects in
the husband who spares her annoyances; considering annoyances in the
same category as misfortunes。 What conciliating power; what wise
experience would uphold and enlighten the home of this young pair?
Paul and his wife would doubtless think they loved when they had
really not advanced beyond the endearments and compliments of the
honeymoon。 Would Paul in that early period yield to the tyranny of his
wife; instead of establishing his empire? Could Paul say; 〃No?〃 All
was peril to a man so weak where even a strong man ran some risks。
The subject of this Study is not the transition of a bachelor into a
married man;a picture which; if broadly composed; would not lack the
attraction which the inner struggles of our nature and feelings give
to the commonest situations in life。 The events and the ideas which
led to the marriage of Paul with Natalie Evangelista are an
introduction to our real subject; which is to sketch the great comedy
that precedes; in France; all conjugal pairing。 This Scene; until now
singularly neglected by our dramatic authors; although it offers novel
resources to their wit; controlled Paul's future life and was now
awaited by Madame Evangelista with feelings of terror。 We mean the
discussion which takes place on the subject of the marriage contract
in all families; whether noble or bourgeois; for human passions are as
keenly excited by small interests as by large ones。 These comedies;
played before a notary; all resemble; more or less; the one we shall
now relate; the interest of which will be far less in the pages of
this book than in the memories of married persons。
CHAPTER III
THE MARRIAGE CONTRACTFIRST DAY
At the beginning of the winter of 1822; Paul de Manerville made a
formal request; through his great…aunt; the Baronne de Maulincour; for
the hand of Mademoiselle Natalie Evangelista。 Though the baroness
never stayed more than two months in Medoc; she remained on this
occasion till the last of October; in order to assist her nephew
through the affair and play the part of a mother to him。 After
conveying the first suggestions to Madame Evangelista the experienced
old woman returned to inform Paul of the results of the overture。
〃My child;〃 she said; 〃the affair is won。 In talking of property; I
found that Madame Evangelista gives nothing of her own to her
daughter。 Mademoiselle Natalie's dowry is her patrimony。 Marry her; my
dear boy。 Men who have a name and an estate to transmit; a family to
continue; mus