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stop!  Oh yes; she had a child with her; a little boy。  Yes!



THE PORTER (thoughtfully looking down the aisle)。  Dey was three

ladies had children。  I didn't notice whether dey was boys or girls;

or WHAT dey was。  Didn't have anybody with her?



MR。 ROBERTS。  No; no。  Only the child。



THE PORTER。  Well; I don't know what you are going to do; sah。  It

won't be a great while now till morning; you know。  Here comes the

conductor。  Maybe he'll know what to do。



'MR。 ROBERTS makes some futile; inarticulate attempts to prevent The

PORTER from laying the case before THE CONDUCTOR; and then stands

guiltily smiling; overwhelmed with the hopeless absurdity of his

position。'



THE CONDUCTOR (entering the car; and stopping before THE PORTER; and

looking at MR。 ROBERTS)。  Gentleman want a berth?



THE PORTER (grinning)。  Well; no; sah。  He's lookin' for his wife。



THE CONDUCTOR (with suspicion)。  Is she aboard this car?



MR。 ROBERTS (striving to propitiate THE CONDUCTOR by a dastardly

amiability)。  Oh; yes; yes。  There's no mistake about the carthe

Governor Marcy。  She telegraphed the name just before you left

Albany; so that I could find her at Boston in the morning。  Ah!



THE CONDUCTOR。  At Boston。  'Sternly。'  Then what are you trying to

find her at Worcester in the middle of the night for?



MR。 ROBERTS。  WhyIthat is …



THE PORTER (taking compassion on MR。 ROBERTS'S inability to

continue)。  Says he wanted to surprise her。



MR。 ROBERTS。  Hayes; exactly。  A little caprice; you know。



THE CONDUCTOR。  Well; that may all be so。  'MR。 ROBERTS continues to

smile in agonized helplessness against THE CONDUCTOR'S injurious

tone; which becomes more and more offensively patronizing。'  But _I_

can't do anything for you。  Here are all these people asleep in their

berths; and I can't go round waking them up because you want to

surprise your wife。



MR。 ROBERTS。  No; no; of course not。  I never thought …



THE CONDUCTOR。  My advice to YOU is to have a berth made up; and go

to bed till we get to Boston; and surprise your wife by telling her

what you tried to do。



MR。 ROBERTS (unable to resent the patronage of this suggestion)。

Well; I don't know but I will。



THE CONDUCTOR (going out)。  The porter will make up the berth for

you。



MR。 ROBERTS (to THE PORTER; who is about to pull down the upper berth

over a vacant seat)。  Ah!  ErII don't think I'll trouble you to

make it up; it's so near morning now。  Just bring me a pillow; and

I'll try to get a nap without lying down。



'He takes the vacant seat。'



THE PORTER。  All right; sah。



'He goes to the end of the car and returns with a pillow。'



MR。 ROBERTS。  Ahporter!



THE PORTER。  Yes; sah。



MR。 ROBERTS。  Of course you didn't notice; but you don't think you

DID notice who was in that berth yonder?



'He indicates a certain berth。'



THE PORTER。  Dat's a gen'leman in dat berth; I think; sah。



MR。 ROBERTS (astutely)。  There's a bonnet hanging from the hook at

the top。  I'm not sure; but it looks like my wife's bonnet。



THE PORTER (evidently shaken by this reasoning; but recovering his

firmness)。  Yes; sah。  But you can't depend upon de ladies to hang

deir bonnets on de right hook。  Jes' likely as not dat lady's took de

hook at de foot of her berth instead o' de head。  Sometimes dey takes

both。



MR。 ROBERTS。  Ah!  'After a pause。'  Porter!



THE PORTER。  Yes; sah。



MR。 ROBERTS。  You wouldn't feel justified in looking?



THE PORTER。  I couldn't; sah; I couldn't; indeed。



MR。 ROBERTS (reaching his left hand toward THE PORTER'S; and pressing

a half dollar into his instantly responsive palm)。  But there's

nothing to prevent MY looking if I feel perfectly sure of the bonnet?



THE PORTER。  N…no; sah。



MR。 ROBERTS。  All right。



'THE PORTER retires to the end of the car; and resumes the work of

polishing the passengers' boots。  After an interval of quiet; MR。

ROBERTS rises; and; looking about him with what he feels to be

melodramatic stealth; approaches the suspected berth。  He unloops the

curtain with a trembling hand; and peers ineffectually in; he

advances his head further and further into the darkened recess; and

then suddenly dodges back again; with THE CALIFORNIAN hanging to his

neckcloth with one hand。'



THE CALIFORNIAN (savagely)。  What do you want?



MR。 ROBERTS (struggling and breathless)。  III want my wife。



THE CALIFORNIAN。  Want your wife!  Have _I_ got your wife?



MR。 ROBERTS。  Noahthat isah; excuse meI thought you WERE my

wife。



THE CALIFORNIAN (getting out of the berth; but at the same time

keeping hold of MR。 ROBERTS)。  Thought I was your WIFE!  Do I look

like your wife?  You can't play that on me; old man。  Porter!

conductor!



MR。 ROBERTS (agonized)。  Oh; I beseech you; my dear sir; don't

don't!  I can explain itI can indeed。  I know it has an ugly look;

but if you will allow me two wordsonly two words …



MRS。 ROBERTS (suddenly parting the curtain of her berth; and

springing out into the aisle; with her hair wildly dishevelled)。

Edward!



MR。 ROBERTS。  Oh; Agnes; explain to this gentleman!  'Imploringly。'

Don't you know me?



A VOICE。  Make him show you the strawberry mark on his left arm。



MRS。 ROBERTS。  Edward!  Edward!  'THE CALIFORNIAN mechanically looses

his grip; and they fly into each other's embrace。'  Where did you

come from?



A VOICE。  Centre door; left hand; one back。



THE CONDUCTOR (returning with his lantern)。  Hallo!  What's the

matter here?



A VOICE。  Train robbers!  Throw up your hands!  Tell the express…

messenger to bring his safe。



'The passengers emerge from their berths in various deshabille and

bewilderment。'



THE CONDUCTOR (to MR。 ROBERTS)。  Have you been making all this row;

waking up my passengers?



THE CALIFORNIAN。  No; sir; he hasn't。  I've been making this row。

This gentleman was peaceably looking for his wife; and I

misunderstood him。  You want to say anything to me?



THE CONDUCTOR (silently taking THE CALIFORNIAN'S measure with his

eye; as he stands six fret in his stockings)。  If I did; I'd get the

biggest brakeman I could find to do it for me。  I'VE got nothing to

say except that I think you'd better all go back to bed again。



'He goes out; and the passengers disappear one by one; leaving the

ROBERTSES and THE CALIFORNIAN alone。'



THE CALIFORNIAN (to MR。 ROBERTS)。  Stranger; I'm sorry I got you into

this scrape。



MR。 ROBERTS。  Oh; don't speak of it; my dear sir。  I'm sure we owe

you all sorts of apologies; which I shall be most happy to offer you

at my house in Boston; with every needful explanation。  'He takes out

his card; and gives it to THE CALIFORNIAN; who looks at it; and then

looks at MR。 ROBERTS curiously。'  There's my address; and I'm sure we

shall both be glad to have you call。



MRS。 ROBERTS。  Oh; yes indeed。  'THE CALIFORNIAN parts the curtains

of his berth to re…enter it。'  Good…night; sir; and I assure you WE

shall do nothing more to disturb youshall we; Edward?



MR。 ROBERTS。  No。  And now; dear; I think you'd better go back to

your berth。



MRS。 ROBERTS。  I couldn't sleep; and I shall not go back。  Is this

your place?  I will just rest my head on your shoulder; and we must

both be perfectly quiet。  You've no idea what a nuisance I have been

making of myself。  The whole car was perfectly furious at me one

time; I kept talking so loud。  I don't know how I came to do it; but

I suppose it was thinking about you and Willis meeting without

knowing each other made me nervous; and I couldn't be still。  I woke

everybody up with my talking; and some of them were quite outrageous

in their remarks; but I didn't blame them the least bit; for I should

have been just as bad。  That California gentleman was perfectly

splendid; though。  I can tell you HE made them stop。  We struck up

quite a friendship。  I told him I had a brother coming on from

California; and he's going to try to think whether he knows Willis。

'Groans and inarticulate protests make themselves heard from

different berths。'  I declare; I've got to talking again!  There;

now; I SHALL stop; and they won't hear another squeak from me the

rest of the night。  'She lifts her head from her husband's shoulder。'

I wonder if baby will roll out。  He DOES kick so!  And I just sprang

up and left him when I heard your voice; without putting anything to

keep him in。  I MUST go and have a look at him; or I never can settle

down。  No; no; don't you go; Edward; you'll be prying into all the

wrong berths in the car; you poor thing!  You stay here; and I'll be

back in half a second。  I wonder which is my berth。  Ah! that's it; I

know the one now。  'She makes a sudden dash at a berth; and pulling

open the curtains is confronted by the bearded visage of THE

CALIFORNIAN。'  Ah!  Ow! ow!  Edward!  Ah!  II beg your pardon; sir;

excuse me; I didn't know it was you。  I came for my baby。



THE CALIFORNIAN (solemnly)。  I haven't got any baby; ma'am。



MRS。 ROBERTS。  NonoI thought you were my baby。



THE CALIFORNIAN。  Perhaps I am; ma'am; I've lost so much sleep I

could cry; anyway。  Do I LOOK like your baby?



MRS。 ROBERTS。  No; no; you don't。  'In distress that overcomes her

mortification。'  Oh; where is my baby?  I left him all uncovered; and

he'll take his death of cold; even if he doesn't roll out。  Oh;

Edward; Edward; help me to find baby!



MR。 ROBERTS (bustling aimlessly about)。  Yes; yes; certainly; my

dear。  But don't be alarmed; we shall find him。



THE CALIFORNIAN (getting out in his stocking feet)。  We shall find

him; ma'am; if we have to search every berth in this car。  Don't you

take on。  That baby's going to be found if he's aboard the train;

now; you bet!  'He looks about and then tears open the curtains of a

berth at random。'  That your baby; ma'am?



MRS。 ROB

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