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 COLDING: Well; I think; fairly deeply; but again; not ironically in the bad sense; but in almost a passionate sense。 You see; really; I'm getting at myself in this。 What I'm saying to myself is; 〃Don't be such a fool; you remember when you were a boy; a small boy; how you lived on that island with Ralph and Jack and Peterkin〃 5 (who is Simon; by the way; Simon called Peter; you see。 It was worked out very carefully in every possible way; this novel)。 I said to myself finally; 〃Now you are grown up; you are adult; it's taken you a long time to bee adult; but now you've got there you can see that people are not like that; they would not behave like that if they were God…fearing English gentlemen; and they went to an island like that。〃 Their savagery would not be found in natives on an island。 As like as not they would find savages who were kindly and unplicated and that the devil would rise out of the intellectual plications of the three white men on the island itself。 It is really a pretty big connection 'with Ballantyne'。
 KERMODE: In fact it's a kind of black mass version of Ballantyne; isn't it?
 GOLDING: Well; I don't really think I ought to accept that。 But I think I see what you mean。 No; no; I disagree with ft entirely; I think it is in fact a realistic view of the Ballantyne situation。
 
 4。R。 M。 Ballantyne's The Coral Island was published in 1857 in England。 See Carl Niemeyer's 〃The Coral Island Revisited;〃 College English; 22 (January; 1961); 241…245。 Reprinted in this volume on pp。 217…223。…Eds。
 5。Characters in The Coral Island。…Eds。
 
 
 
 
 
 The Novels of William Golding'
 FRANK KERMODE
 
 Lord of the Flies has 〃a pretty big connection〃 with Ballantyne。2 In The Cored Island Ralph; Jack and Peterkin are cast away on a desert island; where they live active; civilised; and civilising lives。 Practical difficulties are easily surmounted; they light fires with bowstrings and spy…glasses; hunt pigs for food; and kill them with much ease and a total absence of guilt…indeed of bloodshed。 (They are all Britons…a term they use to pliment each other…all brave; obedient and honourable。) There is much useful information conveyed concerning tropical islands; including field…workers' reporting of the conduct of cannibals: but anthropology is something nasty that clears up on the arrival of a missionary; and Jack himself prevents an act of cannibalism by telling the flatnoses not to be such blockheads and presenting them with six newly slaughtered pigs。 The parallel between the island and the Earthly Paradise causes a trace of literary sophistication: 〃Meat and drink on the same tree! My dear boys; we're set up for life; it must be the ancient paradise…hurrah! 。 。 。 We afterwards found; however; that these lovely islands were very unlike Paradise in many things。〃 But these 〃things〃 are non…Christian natives and; later; pirates; the boys themselves are
 
 1。This selection is taken from a longer essay that appeared in the International Literary Annual; III (1961); 11…29; and is reprinted by permission of John Calder Limited。
 2。 The relationship of R。 M。 Ballantyne's novel The Coral Island to Lord of the Flies is taken up by Carl Niemeyer; 〃The Coral Island Revisited;〃 reprinted on pp。 217…223 in this volume。 See also the Foreword to this volume。…Eds。
 
 cleanly (cold baths remended) and godly…regenerate; empire…building boys; who know by instinct how to turn paradise into a British protectorate。
 The Coral Island could be used as a document in the history of ideas; it belongs inseparably to the period when boys were sent out of Arnoldian schools certified free of Original Sin。 Golding takes Ralph; Jack and Peterkin (altering this name to Simon 〃called Peter〃)3 and studies them against an altered moral landscape。 He is a schoolmaster; and knows boys well enough to make their collapse into savagery plausible; to see them as cannibals; the authority of the grown…ups is all there is to prevent savagery。 If you dropped these boys into an Earthly Paradise 〃they would not behave like God…fearing English gentlemen〃 but 〃as like as not 。 。 。 find savages who were kindly and unplicated。 。 。 。 The devil would rise out of the intellectual plications of the three white men。〃 Golding leaves the noble savages out of Lord of the Flies; but this remark is worth quoting because it states the intellectual position in its basic simplicity。 It is the civilised who are corrupt; out of phase with natural rhythm。 Their guilt is the price of evolutionary success; and our awareness of this fact can be understood by duplicating Ballantyne's situation; borrowing his island; and letting his theme develop in this new and more substantial context。 Once more every prospect pleases; but the vileness proceeds; not from cannibals; but from the boys; though Man is not so much vile as 〃heroic and sick。〃 Unlike Ballantyne's boys; these are dirty and inefficient; they have some notion of order; symbolised by the beautiful conch which heralds formal meetings; but when uncongenial effort is required to maintain it; order disappears。 The shelters are inadequate; the signal fire goes out at the very moment when Jack first succeeds in killing a pig。 Intelligence fades; irrational taboos and blood rituals make hopeless the task of the practical but partial intellect of Piggy; his glasses; the firemakers; are smashed and stolen; and in the end he himself is broken to pieces as he holds the conch。 When civilised conditioning fades…how tedious Piggy's appeal to what adults might do or think!…the children are capable of neither savage nor civil gentleness。 Always a
 
 3。 It is interesting to ask why Golding changed the name。 See the Foreword to this volume。…EDS。
 
 little nearer to raw humanity than adults; they slip into a condition of animality depraved by mind; into the cruelty of hunters with their devil…liturgies and torture: they make an unnecessary; evil fortress; they steal; they abandon all operations aimed at restoring them to civility。 Evil is the natural product of their consciousness。 First; the smallest boys create; a beastie; a snake…〃as if it wasn't a good island。〃 Then a beast is created in good earnest; and defined in a wonderful narrative sequence。 The emblem of this evil society is the head of a dead pig; fixed; as a sacrifice; on the end of a stick and animated by flies and by the imagination of the voyant; Simon。
 Simon is Golding's first 〃saint; and a most important figure。〃 He is for the illiterate a proof of the existence of God because the illiterate (to whom we are tacitly but unmistakably expected to attribute a correct insight here) will say; 〃Well; a person like this cannot exist without a good God。〃 For Simon 〃voluntarily embraces the beast 。 。 。 and tries to get rid of him。〃 What he understands…and this is wisdom Golding treats with awe…is that evil is 〃only us。〃 He climbs up to where the dead fire is dominated by the beast; a dead airman in a parachute; discovers what this terrible thing really is; and rushes off with the good news to the beach; where the maddened boys at their beast…slaying ritual mistake Simon himself for the beast and kill him。 As Piggy; the dull practical intelligence; is reduced to blindness and futility; so Simon; the visionary; is murdered before he can municate his fortable knowledge。4 Finally; the whole Paradise is destroyed under the puzzled eyes of an adult observer。 Boys will be boys。
 The difference of this world from Ballantyne's simpler construction from similar materials is not merely a matter of inparability of the two talents at work; our minds have; in general; darker needs and obscurer forts。 It would be absurd to suppose that the change has impoverished us; but it has seemed to divide our world into 〃two cultures〃…the followers of Jack and the admirers of Simon; those who build fortresses and those who want to name the beast。
 
 4。Cf。 Donald R。 Soangler's 〃Simon〃 on pp。 211…215 in this volume and also Golding's remarks on Simon in the interview with James Keating; p。 192。…Eds。
 
 Lord of the Flies 〃was worked out carefully in every possible way;〃5 and its author holds that the 〃programme〃 of the book is its meaning。 He rejects Lawrence's doctrine; 〃Never trust the artist; trust the tale〃 and its consequence; 〃the proper function of the critic is to save the tale from the artist。〃 He is wrong; I think; insofar as the book differs from its programme there is; as a matter of mon sense; material over which the writer has no absolute authority。 This means not only that there are possible readings which he cannot veto; but even that some of his own views on the book may be in a sense wrong。 The interpretation of the dead parachutist is an example。 This began in the 〃programme〃 as straight allegory; Golding says that this dead man 〃is〃 History。6 〃All that we can give our children〃 in their trouble is this monstrous dead adult; who's 〃dead; but won't lie down〃; an ugly emblem of war and decay that broods over the paradise and provides the only objective equivalent for the beasts the boys imagine。 Now this limited allegory (I may even have expanded it in the telling) seems to me not to have got out of the 〃programme〃 into the book; what does get in is more valuable because more like myth… capable; that is; of more various interpretation than the rigidity of Golding's scheme allows。 And in writing of this kind all depends upon the author's mythopoeic power to transcend the 〃programme。〃
 
 5。Golding makes this statement in the interview with Frank Kermode; The Meaning of It All。〃 See above; p。 201。…Eds。
 6。In the interview 〃The Meaning of It All;〃 p。 200。…Eds。
 
 
 
 
 
 Introduction1
 E。 M。 FORSTER
 
 It is a pleasure and an honour to write an introduction to this remarkable book; but there is also a difficulty; for the reason that the book contains surprises; and its reader ought to encounter them for himself。 If he knows too much he will lean back placently。 And placency is not a quality that Mr。 Golding values。 The universe; in his view; secretes something that we do not expect and shall probably dislike; and he here presents the universe; under the guise of a school adventure story on a coral island。
 How romantically it starts! Several bunches

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